This first volume introduces us to Antwerp in the 1600s, a city buzzing with trade and art. The heart of the story follows three young women from different walks of life who become the wards, or 'goddaughters,' of the great painter Peter Paul Rubens. He brings them into his vibrant household and workshop, a world filled with famous visitors, artistic genius, and constant activity.

The Story

Rubens offers them protection and a chance at a new life, but it comes with expectations. The girls must navigate the complex social rules of his world. Each has her own dreams and fears. One might want to learn the secrets of the studio, another might seek a good marriage, and a third could be running from her past. Their bond is tested by jealousy, the pressures of society, and the towering presence of Rubens himself, who is both a generous patron and a demanding master.

Why You Should Read It

Berthoud doesn't just give us a stuffy history lesson. He fills the house with life—the smell of paint, the gossip of servants, the tension of a portrait sitting. The real magic is in the characters. You feel for these young women as they try to figure out who they are in a world that has already decided their roles. It’s about friendship, the price of security, and the quiet rebellion of finding your own voice.

Final Verdict

Perfect for anyone who loves being swept into a different time. If you enjoy historical fiction that focuses on the people behind the grand events, with a setting that feels alive and characters you root for, this book is a gem. It’s a slower, character-driven story, so readers looking for a deep dive into a fascinating moment in art history will find it especially rewarding.